World to Come for Chamber Orchestra
Accessible yet distinctive, with Lang's trademark simplicity yielding surprising emotional depth.
b. 1957
4 works · 7 upcoming works performed
Lang co-founded Bang on a Can and helped create a new American sound that's equal parts punk rock energy and medieval austerity. His music strips away Romantic excess to find beauty in repetition, simplicity, and raw directness. Whether writing a Pulitzer-winning oratorio or a string quartet, he makes every note count.
5 concerts featuring works by this composer

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New to David Lang? These works make great entry points.
World to Come for Chamber Orchestra
Accessible yet distinctive, with Lang's trademark simplicity yielding surprising emotional depth.
Wed for Chorus
A beautiful introduction to his choral writing, tender without being sentimental.
Increase for Ensemble
Shows his process-based composition at its most straightforward—cells slowly building into a satisfying whole.
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The works that define David Lang's legacy.
the little match girl passion
This Pulitzer Prize-winning a cappella passion is medieval-meets-modern in its austere beauty and emotional power.
Cheating, Lying, Stealing for Amplified Ensemble
A Bang on a Can classic that captures his motoric energy and rhythmic inventiveness at their most visceral.
Mystery Sonatas for Five Dancers and String Quartet
Inspired by Biber's mystery sonatas, this meditation on violence and transcendence showcases his stripped-down lyricism.
Musical style, influences, and more
Lang's music is built from obsessive repetition of simple materials—often just a few notes or rhythms—that accumulate into hypnotic, emotionally devastating structures. His harmonic language is modal and consonant but never sweet, favoring stark unisons and open intervals. He writes with a poet's economy, stripping ideas to their essence and trusting the performer to find the emotion within the pattern.
Studied with Jacob Druckman at Yale and Hans Werner Henze, but his aesthetic owes more to medieval music, punk rock, and the art world than to academic modernism. Co-founding Bang on a Can with Julia Wolfe and Michael Gordon gave him a platform to develop a distinctly American post-minimalism. His work exists in dialogue with everyone from Pärt to Radiohead.
Early works like 'Cheating, Lying, Stealing' established his signature style of aggressive repetition and rhythmic drive. The 2000s saw him embrace more lyrical, reflective writing without abandoning his minimalist roots. Recent works show increasing interest in ancient music and unaccompanied voices, while his operas and multimedia collaborations push into theatrical territory.
When Lang composed 'the little match girl passion,' he spent months researching medieval chant and polyphony, ultimately creating a work sung entirely by men's voices with no instruments. The premiere at Carnegie Hall was so moving that the audience sat in stunned silence for nearly a minute before erupting into applause—unusual for a new music premiere.
Lang writes prolifically for dance, and some of his most experimental work exists in collaboration with choreographers where the music can be more fragmented and abstract than his concert pieces—these scores reveal a different, more playful side of his creativity.
Lang is widely programmed across new music ensembles, choruses, and increasingly mainstream orchestras. His music appears on everything from Bang on a Can marathons to collegiate choir programs, making him unusually ubiquitous for a living composer. 'the little match girl passion' has become a modern classic, performed internationally.
4 works in catalog
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Showing 4 of 4 works