Nocturne No. 5 in B-flat Major
Accessible and representative, perfect introduction to his style.
1782–1837
49 works
Field invented the nocturne—those dreamy, moonlit piano pieces—decades before Chopin perfected them. This Irish pianist-composer created a singing, poetic piano style that anticipated Romanticism while the Classical era was still in full swing. He lived mostly in Russia, where his playing and compositions influenced an entire generation of Russian pianists and composers.
0 concerts featuring works by this composer
No upcoming performances scheduled for works by John Field.
New to John Field? These works make great entry points.
Nocturne No. 5 in B-flat Major
Accessible and representative, perfect introduction to his style.
Nocturne No. 10 in E Minor
Shows his more melancholic side with memorable melody.
For those wanting to hear his Classical-Romantic bridge in larger form.
Add to Spotlight to be notified when a piece is scheduled near you.
The works that define John Field's legacy.
Nocturne No. 5 in B-flat Major
Perhaps his finest nocturne, showing the poetic, singing style he invented.
His most-performed concerto, balancing Classical structure with Romantic lyricism.
Nocturne No. 1 in E-flat Major
The first nocturne ever written, historically crucial and musically beautiful.
Musical style, influences, and more
Field's music features singing melodies in the right hand over arpeggiated accompaniments, exploiting the piano's sustaining pedal to create dreamy, atmospheric effects. His nocturnes are gentle and lyrical, favoring simple harmonies and clear forms, avoiding virtuoso fireworks for poetry and expression. He pioneered the 'bel canto' style on piano, making the instrument sing like a human voice.
Studied with Clementi, who brought him to London and later St. Petersburg. He absorbed Classical-era style but anticipated Romantic sensibilities. His nocturnes directly influenced Chopin, who acknowledged the debt, and his Russian career influenced composers like Glinka. He represents a bridge between Mozart's elegance and Chopin's poetry.
Began as a child prodigy in Dublin, then apprenticed to Clementi. Moved to Russia in 1802, initially to help sell Clementi's pianos, but stayed for the rest of his life. His peak years in St. Petersburg saw him acclaimed as performer and teacher. Later years brought declining health and alcoholism, though he continued composing nocturnes until near his death.
Field was famously eccentric and slovenly—he would show up to aristocratic salons disheveled and fall asleep on the furniture between performances. Despite this, Russian aristocracy adored him for his playing, which was delicate and poetic beyond anything they'd heard. His personal presentation was terrible, but his music was refinement itself.
Field wrote seven piano concertos that are unjustly neglected—they're charming works that deserve to be in the repertoire alongside his better-known nocturnes, showing he could handle larger forms beautifully.
Field is moderately programmed, with pianists interested in early Romantic repertoire championing his nocturnes. His concertos appear less frequently than they deserve. He's experiencing modest revival as the transitional Classical-Romantic period gets more scholarly and performance attention. He's evergreen among piano specialists but underexplored by mainstream audiences.
49 works in catalog
Browse the catalog below. Add any work to your Spotlight to track when it is performed live.
Showing 30 of 49 works